Piano Trio

Score and Parts.

Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998, Merkin Concert Hall, New York City.

Quoting Weir: 'In my previous work, I have often enjoyed inventing titleswhichattempt to encapsulate the particular world of each composition, but this fifteen minutes piece for violin, cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? Ithinkperhaps that in this piece, the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.

Thefirstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air, the dark choppy water, the bells tolling, the gondolier alone in emotional turmoil. Schubert's world isaplace where I can find constant inspiration and strength.

The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room, the next (or so it seemed in myimagination)surrounded by light, heat and sudden energy and activity. The movement is not, however, an evocation of African music; it takes the form of a scherzo and trio, which collide with each other at the movement'sconclusion.

Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part ofthe world, whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations, where melodic fragments are laidout with plentyof space around them, clear and plain for everyone to hear.