Inhoud
- Part one: The foundation Techniques
- Part two: Playing the Music
- Part three: Appendices
Complete courses for players of all ages from their first note to jazz classics
The edition is part of the Trinity syllabus 2007 (grades 2,4,5)
These methods provide complete courses for players of all ages, guiding students from their first note to classics, together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracksrecorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamentalelements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice onear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, The Jazz Methods are ideally suited to bothstudents working alone and those learning with a teacher. John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials. (Jamey Aebersold) ...a rare opportunity for anew player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library. (Lee Konitz, international jazz saxophone soloist) - includes 'classics' by Thelonious Monk, CharlieParker, Sonny Rollins and Horace Silver - ...very good origin al jazz tunes that students will use as stepping stones for further development... a non-jazz-playing flute teacher would probably find the book a godsendespecially if students are studying GCSE music. (Steve Tayton, Jazz Journal International)
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