The Mendelssohns

Their Music in History

ÉditionLivre (relié)
№ d’article870086
ÉditeurJohn Michael Cooper, Julie D. Prandi
Langueanglais
Dimensions 406 pages; 15,6 × 23,4 cm
Date de parution2002
Éditions / ProducteurOxford University Press
№ de fabricantOUP9780198167235
ISBN9780198167235

Description

This is a compendium of scholarship concerning the lives, works, and receptions of Felix Mendelssohn Bartholdy and Fanny Hensel. Representing the latest work of leading specialists from the USA, France, Great Britain, and Italy, the essays are organized according to a number of issues that have become vital during the past 20 years: sources and source problems—including the disposition of missing and lost works, issues of musical identity as they pertain to little-known concert arias, and editorial issues presented by the organ preludes op. 37; studies of individual works—including Felix Mendelssohn's first composition, the 'Scottish' and 'Reformation' symphonies, and Die erste Walpurgisnacht); problematic repertoires—Felix's occasional works, song cycles, and opera plans; the relationships between Felix and Fanny; and issues of reception history—including Felix's influences as composer of organ music and string quartets, and gender and race in biographical studies of Felix.

Contenu

  •  Preface, John Michael Cooper, Julie D Prandi
  •  List of Plates
  •  List of Figures
  •  List of Tables
  •  List of Musical Examples
  •  List of Contributors
  •  Abbreviations
  •  Part I: Sources and Source Problems
  •  1.:'It seeems to have been lost': On Missing and Recovered Mendelssohn Sources, Ralf Wehner
  •  2.:Editorial Problems in Mendelssohn's Organ Preludes, Op. 37, Pietro Zappalà
  •  3.:Mendelssohn's TwoInfelice Arias: Problems of Sources and Musical Identity, John Michael Cooper
  •  Part II: Individual Works
  •  4.:Mendelssohn's First Composition, Peter Ward Jones
  •  5.:The Programme of Mendelssohn's 'Reformation' Symphony, Op. 107, Wolfgang Dinglinger
  •  6.:Kindred Spirits: Mendelssohn and Goethe, Die erste Walpurgisnacht, Julie D. Prandi
  •  7.:Just how 'Scottish' is the 'Scottish' Symphony? Thoughts on Poetic Content and Form in Mendelssohn's Opus 56, Thomas Schmidt-Beste
  •  Part III: Repertoires
  •  8.:'Indessen wollte ich mich Ihnen gern gefällig beweisen': On Some Occasional Works, with an Unknown Composition by Mendelssohn, Christoph Hellmundt
  •  9.:'So kann ich es nicht componiren': Mendelssohn, Opera, and the Libretto Problem, Monika Hennemann
  •  10.:Mendelssohn's Cycles of Songs, Douglass Seaton
  •  Part IV: Felix and Fanny
  •  11.:Similarities and Differences in the Artistic Development of Fanny and Felix Mendelssohn Bartholdy in a Family Context: Observations on Selected Works from 1820 to 1823 in the Berlin Autograph Volumes, Hans-Günter Klein
  •  12.:On Stylistic Commonalities in the Music of Fanny Hensel and Felix Mendelssohn Bartholdy, R. Larry Todd
  •  13.:Virtuoso Texture in Fanny Hensel's Piano Music, Camilla Cai
  •  14.:Felix Mendelssohn and Fanny Hensel: The Search for Perfection in Opposing Private and Public Works, Françoise Tillard
  •  Part V: Reception History
  •  15.:Felix Mendelssohn and his Place in the Organ World of his Time, William A. Little
  •  16.:Epigones of an Epigone? Concerning Mendelssohn's String Quartets—and the Consequences, Friedhelm Krummacher
  •  17.:The Composer as Other: Gender and Race in the Biography of Felix Mendelssohn, Marian Wilson Kimber
  •  Select Bibliography
  •  Index
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